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It would be analogous to Christmas shepherds singing a specific song to baby Jesus, and we know the song. Think about that: this isn’t a song that was composed retrospectively, then went on to become a cultural favorite. As Mohammad entered the city, his followers sang this song which they had already composed for the occasion. To Muslims, Mohammad’s arrival in Medina signifies the defining moment at which Islam began. Eventually Mohammad slipped through the leadership’s grasp and fled to Medina under pursuit, though eventually he managed to escape their tracking and to reach Medina in peace. Followers began to move to Medina and formed a community there. He began building a community, but the leaders of Mecca wanted to suppress this emerging movement. Mohammad’s encounters with the Divine, as Muslims understand it, began when he lived in Mecca. This is an extremely important and well-known song in the Islamic tradition. Note to perfomers: the song itself doesn’t touch the F-sharp and so doesn’t indicate Hijaz, but if you wish to add harmony or additional melody as ornamentation, experiment with Hijaz the F-sharp in particular adds tension and color. This isn’t how I hear it performed I think Arabic performers simply adjust.
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Arabic notation would have the B 1 quarter flat and would ignore the Hijaz softening. While this song is traditionally Arabic, I notate it here using the Turkish sytem which is more explicit about the Hijaz softening. While Hijaz is softened generally, in Turkish Huzzam the E-flat is raised even higher, just because. However, generally in Turkish (and often in Arabic) the wide interval in Hijaz is “softened” by bringing the lower note (E-flat) up and the upper note (F-sharp) down, just a little (1 koma). Huzzam places the Hijaz tetrachord on D: D, E-flat, F-sharp, G. This is in the Segah family it is rooted on Segah, the B-very-slightly flat (1 koma flat), then has C and D. See comments on scores below.Ī version with ornaments is (here the notation uses twice as many symbols for the same amount of time): We Sent Peace And Blessings on His Beloved, Our Master Muhammad peace and blessings be upon him.Scores are here, for treble and alto clefs. We also thank Rabbani Project and Ladies of Light for giving us a platform to give back to the community.
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To this end, we thank Ihsaan Press and the Songs of Presence Team for teaching us through the years the importance of Qasaid and knowing their source. The history of classical Qasaid is rich and we are by no means rewriting or creating something new, Our aim is to add to and revive what has already been done.
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At the top of every post you will find details about the said lyrics, author, translation, additions and in some instances where to find the Arabic. We are currently at Phase One of the project: working on uploading precise transliterations and translations. Our new project, The Qasida Collective now aims to collate many of the Qasidas that WE at Desert Echo use and allow you to engage with a reference point. Some have wanted translations, others transliterations, and others clear Arabic script. Over the last ten years of teaching qasidas, hosting mawlids and being invited to perform at gatherings of praise, we have been often asked for lyrics in a variety of ways.